Issuu is a digital publishing platform that makes it simple to publish magazines, catalogs, newspapers, books, and more online. Easily share your publications and get. Jun 14, 2016. In the land rush to digitize the world, the home is the new frontier. Over the past few years, practically every household item within reach has been technologically upgraded and rendered “smart”: toothbrushes, cutlery, baby monitors, refrigerators, thermostats, slow cookers, sprinkler systems, sex toys, even. Feb 2, 2015 - 43 min - Uploaded by CG MastersWebsite main lesson page.

This tutorial was written by the amazing and appeared in Set extensions are the kind of visual effect that every single movie released today has. Not just the big blockbusters, but comedies, little indie dramas and even just about every TV show has some type of set extension or background enhancement happening in it. It can be anything from alien landscapes and futuristic buildings to simply replacing a traffic sign or a storefront. Usually the same techniques are also useful if you want to remove something from a scene, like a wayward crew member or a car driving through the background of your medieval village. While set extension tasks can be accomplished using both 2D and 3D techniques, in this tutorial we’re going to focus on 2.5D to add an important exterior location to our shot. Perhaps the actual location was a protected park, and we were not allowed to build any kinds of structure out there during shooting. Crack Frontline Commando Ww2.

If the interior scenes are all shot on a soundstage or another location, then we only need a couple of establishing exterior shots, which is where matte painting and set extensions can save the day. And if you’ve not heard of 2.5D, it is exactly what it sounds like – a blend of 2D and 3D. We’ll use 2D cards with matte paintings on them and position them around our 3D space.

Blender still life renders in 17 steps by Reynante Martinez.

We are going to utilise Blender’s 3D space for much of this project, but keep in mind that the work we are doing is set up for compositing, not a 3D render. Matte painting, which isn’t the scope of this tutorial, goes hand in hand with set extensions. Matte paintings are usually given to a compositor in layers so the compositor can make adjustments to (or completely remove) each individual part of the painting and layer them into the matchmoved scene as needed. These layers can range from very simple (as in our case with this tutorial) to very complex. Do not rule out 3D completely, though. Naturally, you are welcome to create any 3D elements you want. Having the matchmove will make it relatively easy to drop things into place, but be sure to take great care when texturing and lighting.

Look at light and shadow placements in the footage, and the overall tonality of the shot, and do your best to get your 3D in the same visual world. Step 01 – 3D track the scene Bring the footage into the Movie Clip Editor (MCE), then Set Scene Frames and Prefetch so it’s loaded into memory.